After getting her set up in the table*, I did some basic stitching and then a few experiments with fancy stuff. Fittingly for a Swiss made machine, the fabric is from a Swiss “national costume” outfit bought for me when a child. Of course the fancy stuff would have worked better with some kind of stabiliser layer. The stitching itself was ok, and that leafy pattern might well get used, but the operation felt clunky, which depressed and upset me.
I had a bit of a flail, then decided to work on a shirt the next day. That is a familiar task and mostly straight stitching. It would just give me time with the machine to get more of a feel. I knew I could cut and make a basic shirt in a day. Turns out I can do this in a long day, even with an unfamiliar machine and with stupidly sewing one sleeve to the body inside out and having to fix that. I cut this before 9am this morning and sewed the buttons on after dinner. I even took the opportunity of such a plain shirt to rejig the neckline so it is smaller but not too small. This is a lovely yarn dyed cotton check with a pleasingly rustic weave that I got recently in an Albury opshop. There was barely enough to cut the shirt so yoke and cuff linings had to be pieced.
I forgot to sew a label to the inner yoke at the right stage, so I put one on the left sleeve placket for fun. I will say the new machine makes nice buttonholes. This is the bog standard basic one, sewn with navy blue Gutermann cotton.
My big complaint was that the machine felt clunky and awkward, especially on raising the presser foot. An audible clunky click and the work was often jerked out of place. It took me ages to work out that this was connected with the fact that I had been using the knee lift for the presser foot from the get go. I’m used to this from the old machine and vastly prefer using it over having to raise the presser foot by hand. Eventually I figured out that the knee lever not only raises the presser foot, but lowers the feed dogs as well. It’s the feed dogs that cause the audible clunk and jerk of the work. If one only uses the hand operated presser foot lever, things remain quiet and peaceful. Argh. I’ll be complaining about this and requesting a fix!
Other things I don’t like thus far:
-It’s going to take me a while to learn how to drive the selection screen. I keep getting stuck just on how to get back to basics. The home icon doesn’t take one to the home screen and there is no back button.
-Setting changes are slower to assess than the button and dial system that I’m used to. Even allowing for the fact that I’m not used to the screen interface, there is no pictorial indication of stitch length, just a number on the screen. Somehow, turning the dial and reading a number isn’t as quickly comprehended as having a visible position on a scale.
-Max speed feels sloooowwww. Similar to my old machine I suppose but I think I’ve been anticipating an increase in speed. I wanna go faster dammit. Maybe I need to keep an eye open for a quality industrial straight stitcher, and figure out where I would put one if I get one.
-The most visible seam width markings on the needle plate are *%$&$ imperial!!! I want metric and it’s a ruddy Swiss machine dammit!
-They have yet again changed the foot design so I have to shell out to replace the special feet I use. This has to be deliberate. Angry making it is at least.
Things I do like:
-It might sound petty, but I love the aesthetics of the overall design. Shiny and businesslike.
-It runs well (as long as one is not using my beloved knee lifter)
-there are a lot of cool buttonhole options I’m looking forward to trying
-The great Bernina front loading, easy clean and oil bobbin race.
-Lots of useful stuff for plain stitching. Adaptive tension (copes with a very wide range of fabric weights), easy upper tension dial. Good power for thick fabrics or many layers. Foot pressure adjustment (new to me).
*I’m proud of myself that I took the time to make up the right sized blocks of wood to put the new sewing machine at the correct height in the table. The old one sat on a book for 20+yrs. Prompted partly by the presser foot knee lift lever sitting at a different height on the new machine. The table is from a ~60’s Singer that had a knee lever instead of a foot pedal. It has a drop down section for the machine and an appropriate hole for the lever. See previous post for a picture.