Yup, this is the 28th pair of socks I have knitted. I’d forgotten the count had got so high. This pair has taken a while to knit. I started them on the New Zealand trip back in January. I usually knit socks only in trains, planes and waiting rooms various. I obviously haven’t been doing much of that recently.
There are several experiments here. Lots of design decisions all to make socks for travelling that dry quickly. They are also short so they take up less luggage room. I’ve used slightly larger size needles (2.75mm) than normal (2.5mm). Fewer stitches to balance that of course. The yarn, by Araucania, is on the fine side of 4ply. I don’t have the colour name or code ’cause I can’t find the label. I think it might be old stock though because I bought it about a year ago as an oddment at a yarn market and couldn’t find it on the net when I looked then. I’ve also knitted them very plain to enhance drying, including my first Fleegle heel, which is shaped like a slip stitch heel, but is just flat knitting. I’ll wear them for a bit to see how they go while I knit up a more standard pair for a friend.
It’s winter here, and I decided it was time to bring out my hand pieced silk cushion covers. However, I was missing one for the set of cushions I like to have in the living room. I didn’t want to take time to make another from scratch while I still have the lattice quilt in progress. Hmm. Then I remembered I had these little hexagonal ones I had fallen out with. The purple colours don’t work in the room. The right hand one has good colouring but made me thing instantly of a car company rather than the trefoil-esque motif that it was intended to be.
After some thought, I decided that if I chopped that right hand one down the middle, split the two halves and did some sort of infill, it would serve the desired purpose with a relatively modest amount of effort.
This was the result:
I’m moderately pleased with it. It does at least stop one’s brain going straight to the car company. I’d rather have used colours for the infill rather than black and brown, but I felt that heavy silk would perform better and these were the only two pieces I had. It was still quite a bit of work, maybe a day’s effort all up? I make the fronts of these covers as tiny quilts. The batting evens out the texture and the quilting supports the fragile silk. They have proved more robust in use than I originally feared.
Anyway. It gives me the cover I wanted to work in with the other three and the original cushion gets to see some service. The red and turquoise one second right is not my work but that of a friend, made for me many years ago.
Look! My insane lattice patchwork is ready to lay out. After six months of almost daily stitching, all the blocks are made, nine sections of 16 blocks are assembled and a goodly down payment on the black joining pieces are basted to their papers.
I am so keen to lay it out and finish arranging things. I need to come up with some sort of system though, so I can do so and then stack it up in extractable order. I do not want it living on the cutting table for weeks or months. Hmm.
This is a summer garment even though where I am it’s now very much winter. Sometimes a length of cloth states so firmly what it wants to be, that one may as well just make it up. The last three times I opened the stash cupboard, this linen said “Ahem, I will be a summer shift dress please. See, I’m a lovely cool open weave in calm, cool colours. Really. You can even use that bodice pattern you are so keen on right now” *. So, I did as it said. I pressed the cloth and cut it out. Laid it aside while I had a lovely house guest. Then made it up over the last couple of days.
Yes, that’s the same bodice as the last few dresses, only this time with no darts and with the side seam angled out to dress cloth width (~112cm). Shirt tail hem. The front has a shaped facing and front slit for visual interest. The back has a deep, lined yoke with a centre seam. This way, the whole thing could be sewn by machine, using the turn-through-the-shoulder method. The neckline and shoulder seam have straight grain tape stabilising them. I’ve used no interfacing otherwise. That back pleat was not intended. I stuffed up when cutting the back yoke and forgot to angle out those short sides so I lost a little width. Oh well, the pleat looks good anyway.
I did put some care into placement of the huge checks. There wasn’t quite enough fabric to allow full matching of the checks front to back. However it did work if I inverted the back skirt piece and matched the white stripe. Neater than no matching at all anyway.
I won’t normally make pretend things on garments. Closures that don’t open, buttons that don’t fasten, pocket type trim without actual pockets. I broke my rule. These buttons are simply sewn on to close the slit and look pretty. It just seemed the thing that would lift what would have otherwise been a more boring garment.
So now this fabric is happy and has stopped yelling at me, I can move on to the next thing.
*no, fabric doesn’t really talk to me. Not out loud anyway. It does seem to be opinionated at times though :-).
I had an appointment coming up in corporate land. Having gone to this office a few times now, I’m finally aware that it’s heated so much that I will overheat in anything more than shirt sleeves. I quite seriously had nothing in the wardrobe in which I was willing to be seen, in shirt sleeves, in corporate land. This was made to fill that gap.
It’s the same pullover pattern as the last few dresses, but with a deeper neckline and made out of very fine wool suiting. So a corporate friendly pinafore dress. I think I’ve cut it just high enough to wear as a dress alone, but it’s on the roomy side so I can wear a variety of shirts and/or jumpers under it.
I’ve put a tab and buttons on each side to make it follow the figure a little more. This basically replaces an underbust dart. If the fabric were any heavier, this closure would be too bulky I think.
This picture shows the fabric better. It’s a pleasing teeny tiny woven check in chocolate brown and black. I’ve stab stitched the neckline to preserve the nice soft edge. Machine top stitching would have squashed the character out of the fabric. The lining is top quality Bemberg rayon cut from a too small petticoat I made years ago. It’s wonderful stuff to wear but the slitheriest fabric I’ve ever sewn.
Here it is, with my serious face on. Only sometimes do I remember to smile for these pics. It’s lovely to wear. Really comfortable and nicely swishy with it’s full circle skirt. After the meeting, still in town, I collected a welcome compliment on the ensemble, from a lady who turned out to be a fellow dressmaker. Sweet.